Revelation of Formĭecide on the level of 3-dimensionality you want the audience to see. We might use colors that flatter or complement those used by our colleagues. If the sets and/or costumes are sculpted and lush, we might light them so as to highlight their 3-dimensionality. We reinforce the work or the set and costume designers: The lighting designer can reinforce this by providing the first rays of dawn. We reinforce the playwright’s text: In A Midsummer Night’s Dream, Puck has the line, “And yonder shines Aurora’s harbinger,” meaning the dawn. It’s the same quality that Stephen Colbert refers to as “truthiness”. Sometimes called “realism”, but that’s not always accurate, since not all plays – and certainly very few ballets, modern dance pieces, and operas – are realistic. The act of painting a picture, in this case, with light. Many designers err in paying attention to mood to the point where visibility is sacrificed.

“Mood” (or “atmosphere”) is the evocation in the audience of the appropriate emotion. This doesn’t mean that the audience must see everything all of the time a German director named Max Reinhardt once said that, “The art of lighting the stage consists of putting light where you want it and taking it away from where you don’t want it.” Mood Studies have shown that visibility affects our ability to understand spoken speech. If the audience can’t see the actors, everything else the lighting designer does is a waste of time.

Stage lighting design pdf